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Timeout Hong Kong and Crazy young Master gave us a punchy combination of indiepop and postpunk with this double bill.First Retros strutted their dark,angular postpunk then Hedgehog soothed with more melodic pop.
Re-TROS opened their set with a brooding electronic number reminiscent of Bauhaus at their bleakest before kicking it up a notch with a faster version of 'Death Bed Song' and then
pushed up the excitement levels higher with 'Boys in Cage'.The band were'nt afraid to challenge their audience with songs like 'Bela Lugosi' and it's easy to see why Brian Eno was attracted to work with them on their debut EP 'Cut Off'.Vocalist Hua Dong's excitable,agitated vocal style is perfect for their sound ,complemented by the vocals of bassist Liu Min and the frenetic percussion of Ma Hui.The band's defiantly post-punk roots made for a great evening of magnificently doomy Beijing indie ,ending their set with the downbeat 'Die in 1997'.
Re-TROS 'Die in 1997'http://myspace.com/rebuildingtherightsofstatues
Hedgehog ,at the opposite end of the Beijing indie spectrum,playing aggressively uptempo indie rock that compelled the audience to jump around more and more wildly.having seen the band last year in the Fringe club,I was impressed how much tighter their sound was in this larger spaceThe band is powered by the amazing drumming of Atom and they stormed their through some new material and songs from their
debut 'Noise Hit World'like 'Toy & 61 Festival','Pumpkin'.and 'Noise Hit World'.By the close of their set the whole place was jumping.Sounds like a particularly energetic cross between New Order with Box's thumping bass and Blondie with X.O.'s ringing guitar.Could be Beijing;s Franz Ferdinand.
http://myspace.com/hedgehogcn
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