The Ingrid – “Lullaby”
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A standout production, “Lullaby” is the third single from impressive UK
trio The Ingrid. Melding shoegaze, dream-pop, and alt-rock textures, the
track th...
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Monday, April 26, 2010
Thursday, April 22, 2010
For anyone who wants to check out new bands on the indie music scene in Hong Kong get your ass along to one of the Underground's fortnightly shows. Chris B has been organising shows here for the past five years or so and has given bands like Chochukmo, Innisfallen, Audiotraffic, Velvette Vendetta and Unixx a platform to reach a wider audience before releasing their debut albums.While there are other promoers like White Noise Records and The Peoples' Party who focus more on leftfield, experimental bands from Asia and international bands, this is still the best place to check out new local indie bands in Hong Kong who are not scene specific.
I arrived late at the show but was in time to catch the set by OneLastFall, a heavy fivepiece band led by guitarist Faro with vocals from Sheila, second guitarist Rob, bassist Charles and drummer Maijd. The sound ranges between metal and emo with aggressive vocals and high energy guitar, driven by the energetic rhythm section of the band.It didn 't take long for the band to galvanise the crowd into a frenzy of headbanging and arm waving.Some ragged edges but still a very good live band and one to watch out for.
GoodFellas is a four piece band with Cheng Po Kei (Keith) on guitar and vocals, Egg Lo bass and vocals, and Angus Leung on rhythm guitar.
The band play in an infectious Britpop-influenced style.and the slightly differing vocal styles of Keith and Egg work well in their set blending fan favourites like 'Be With You', 'Move On' and some newer material that shows the band with a slightly more electro feel.Is this a move to a more MGMT sound?
Thursday, April 1, 2010
Kings of Convenience (Norwegian Wowed )!
Hailed as amabassadors of The New Folk, the band had summed up their music creed in the album title 'Quiet is the New Loud' and in fact their playing style is so quiet at times that they requested photographers to minimise the clicking of their cameras in the early part of the show (although typical of this lens mad city some of us couldn't resist taking one or two pix).
Playing material from all 3 albums, the band quickly established an awesome rapport with the crowd, especially when Erlend discovered that Hong Kong fans really knew all the KOC songs by heart and could sing along at will.The ensuing band / audience singalong had all the warmth of a huge house party rather than a concert.
The duo held us spellbound with their delicately beautiful melodies, intricate guitar harmonies, some lovely keyboard and a playful sense of not taking themselves too seriously, typified by Erlend's geeky but fun dance moves in 'Just Want to Dance With You'. The band's formula may appear simple but the rhythms move intricately and efforlessly between pop, bossa nova and folk.
Sunday, March 7, 2010
CityU Band Soc-SONIC BLOOM!!!!
In this annual show of City University Hong Kong at The Hangout we had a crazy evening of reggae, postrock, mathrock and the highly indefinable sweet sounds of Chochukmo.
Crazy Lion opened the show @ The Hangout with their reggae beat which soon had heads nodding and bodies moving to their infectious dub-heavy sounds.
Crazy Lion @ Sonic Bloom
Vocalist Mouse was more like a friendly lion as the band recreated the infectious, melodic sounds of a musical genre that originated in DJ sound systems and ska influenced interpretations of R & B and was popularised in the west by legends like Bob Marley and Jimmy Cliff and by record labels like Trojan and Island.The packed hall was soon grooving to their sweet Jamaican-flavoured rhythms.
Wangwen live @ Sonic Bloom in Hong Kong
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Wangwen took us to a more introspective, post-rock space with beautiful, soaring melodies reminiscent of Explosions in the Sky and Mono.This is the band's 3rd visit to Hong Kong recently and for anyone who doesn't believe that post rock bands can rock hard, you must see this band.
Chochukmo can turn any show into a party and with seemingly effortless ease they charmed the mainly student audience with songs from their recently released 'The King Has Lost His Pink'. They played a jazzy, latin-tinged indie rock set full of leftfield melodies, jangly guitars and Jan's delicate yet passionate vocals on songs like the slightly retro 'Tell Her (Laura I Love Her) the infectious-and-should-be-released-as-a-single' Head to Toe 'and the darkly humorous' Something Special 'and' Number One '.
Te live @ Sonic Bloom
I think something may have been lost in translation in the facebook description stating that Te would make our 'blood boil'. I guess they meant something like 'induce euphoria, ecstasy and warm waves of love between band and audience.' Those of us who only knew about the band by listening to their albums and read descriptions like 'celebral band' may have been expecting an outfit in the style of Japanese bands like Mono or Toe who seem to ooze music from their every nerve cell and almost discorporate into the music.
Te are consummate musicians too but also had the greatest audience interaction of any band in the show.I was just annoyed that I missed the bassist's stage jump especially as he landed right in front of me !(OK I was too busy changing batteries for my camera but I did help him back on stage).
Te live @ The Hangout Hong Kong
If That Is What Is Being
In this annual show of City University Hong Kong at The Hangout we had a crazy evening of reggae, postrock, mathrock and the highly indefinable sweet sounds of Chochukmo.
Crazy Lion opened the show @ The Hangout with their reggae beat which soon had heads nodding and bodies moving to their infectious dub-heavy sounds.
Crazy Lion @ Sonic Bloom
Vocalist Mouse was more like a friendly lion as the band recreated the infectious, melodic sounds of a musical genre that originated in DJ sound systems and ska influenced interpretations of R & B and was popularised in the west by legends like Bob Marley and Jimmy Cliff and by record labels like Trojan and Island.The packed hall was soon grooving to their sweet Jamaican-flavoured rhythms.
Wangwen live @ Sonic Bloom in Hong Kong
\
Wangwen took us to a more introspective, post-rock space with beautiful, soaring melodies reminiscent of Explosions in the Sky and Mono.This is the band's 3rd visit to Hong Kong recently and for anyone who doesn't believe that post rock bands can rock hard, you must see this band.
Chochukmo can turn any show into a party and with seemingly effortless ease they charmed the mainly student audience with songs from their recently released 'The King Has Lost His Pink'. They played a jazzy, latin-tinged indie rock set full of leftfield melodies, jangly guitars and Jan's delicate yet passionate vocals on songs like the slightly retro 'Tell Her (Laura I Love Her) the infectious-and-should-be-released-as-a-single' Head to Toe 'and the darkly humorous' Something Special 'and' Number One '.
Te live @ Sonic Bloom
I think something may have been lost in translation in the facebook description stating that Te would make our 'blood boil'. I guess they meant something like 'induce euphoria, ecstasy and warm waves of love between band and audience.' Those of us who only knew about the band by listening to their albums and read descriptions like 'celebral band' may have been expecting an outfit in the style of Japanese bands like Mono or Toe who seem to ooze music from their every nerve cell and almost discorporate into the music.
Te are consummate musicians too but also had the greatest audience interaction of any band in the show.I was just annoyed that I missed the bassist's stage jump especially as he landed right in front of me !(OK I was too busy changing batteries for my camera but I did help him back on stage).
Te live @ The Hangout Hong Kong
If That Is What Is Being
Friday, February 5, 2010
Hong Kong bands-Elf Fatima
In advance of the Mono show I got a chance to ask Paul and Eddie, guitarists in Elf Fatima a few questions and was quite surprised by some of their answers about the music they like and the post rock scene in Hong Kong.
First was Eddie Hui, ..
What are your main musical influences or what bands were you listening to when you formed Elf Fatima?
In the beginning, we were influenced by different genres like psychedelicspace-rock, post-punk, trip-hop, dark pop, shoegaze, noisenik and even some doom metal / gothic metal!
We listened to the music of Pink Floyd, Massive Attack, Portishead, Joy Division, Spiritualised, The Verve, Death in Vegas, Slowdive, My Bloody Valentine, Garbage, Cardigans, Paradise Lost, My Dying Bride.
What's the best gig Elf Fatima have played?
Maybe it was with Mogwai in 2004 ...
Best gig you've seen?
Must be Mono 10th Anniversary live with an orchestra in Shibuya O-EAST, Tokyo.That 's the first time I've seen a band crossover with an orchestra live and I was very impressed.
You've appeared with Mogwai and Mono.Any other artist you'd love to play with?
What if Godspeed You! Black Emperor were live in Hong Kong? Ha Ha! Impossible!
Any favourite post rock bands?
So many, Mono GY! BE, World's End Girlfriend, Envy, Mogwai
Best and worst things about the post rock scene in Hong Kong?
It's like a coin with two sides.There are not many bands so we are quite distinctive. On the other hand it's a real disadvantage that the scene is so small
Any plans or shows to watch out for this year?
We really hope to release our 3rd album in 2010!
Paul Chung
What albums have you bought recently?
World's End Girlfriend-OST
Matryoshka-Zatracenie
Mono-Hymn to the Immortal Wind
Mensheng-Twisted Sight
Chochukmo-The King lost His Pink
Casino Demon-Teenage
Lite-Phantasia
Dreamend-The Long Forgotten Friend (Japanese edition)
Bang Gang-Ghosts From the Past
Triple Smash-When the Light Goes
What other stuff are you listening to at the moment?
Chopin, Do Say Make Think, Envy, Kashiwa Daisuke Kashiwa Daisuke (seems will come to HK
soon : D) ... ...
Musical influences / what artists, bands, styles were you into when you formed Elf Fatima?
Oh, lots of stuff, melodic songs and not just post rock
What's the best gig you've played?
Wang Wen + Elf fatima + Zhaozhe-3 Post-rock bands @ Guangzhou and Hong Kong (2008)
Steve Vai-Hitec (2004), Mogwai-Hitec (2004) Wonderful white noise!
Favourite Hong Kong venue?
No idea, all the stages are too small, maybe the Fringe club because the sound is so good.
You've appeared with Mogwai and Mono.Any other bands you'd like to share a stage with?
Envy (Japan). I like heavy music!
Any favourite postrock bands / musicians?
Jian Tak Building, Kim Tak Building, No One Remains Virgin, Fragile, Downer ...
Best / And worst things about the Hong Kong (post) rock scene)?
Best Things - everybody can play good music ....
Worst Things - not too much people spend money / time to attend post-rock concert, even oversea's famous bands!
Any plans or shows coming up next year?
Release new album 2010!!!
Elf Fatima are supporting Secret Machines on 17th March @ Grappa's Hong Kong.
For lots of info on these bands, downloads etc visit thesirenssound
Monday, February 1, 2010
Mono 10th Anniversary Tour in Hong Kong
Go Back To My Site
Why do Hong Kong indie fans love post rock so much? Is it the emotion and the complexity?Does the music give us some kind of personal space in a frantic,overpopulated city devoted to technology?
Or are music fans and bands here just a lot more experimental and eclectic in their tastes than we realise?
Mono from Japan have achieved iconic status in the post rock genre and were appearing live in the city.
In support were Elf Fatima, local post rock heroes whom I first heard of when I asked a highly knowledgeable local band member 'Who's your favourite Hong Kong band?'.
'Elf Fatima' was his reply and ever since then I've tried to check out shows from this band who seem to be the band of choice for supporting Postrock monsters like Mogwai and Mono ..
First on the bill were Ghanzhou outfit Zhazhou (aka The Swamp). The band use traditional Chinese instruments as well as electric guitars, giving them a sound somewhere between Beijing bands Lonely China Day and The Gar with quqin player and guitarist at times going onto his knees to play in real rock hero style.Some beautifully structured songs synthesising traditional and modern.An awesome opening set from this band with lots of energy and brimming with musical ideas.The band have been around since 1993 so can clainm to have been at the forefront of China's experimental musical scene.
Elf Fatima play post rock that's heavy in the style of Explosions in the Sky with some of the same complexity but with a rockier edge and a slow building psychedelic groove that erupts into an explosion of sound.The band begin their set with the melancholy 'Michelle the Cellist ', Eddie and Paul's guitars gliding elegantly over the melody on top of the percussion before turning up the volume controls for the rest of the set which they bring to a gloriously cataclysmic conclusion with' I See the Light 'Before the Planet Explodes / .
Setlist
1. Michelle the Cellist
2. Battle of Sunset
3. Walk away from the dark cave
4.I see the light before the planet explodes
Such a small venue is really perfect for the sound of Mono In the quiet parts, every note rings out crystal clear on songs like 'Ashes in the Snow'and for the climaxes we were almost deafened by the waves of feedback saturated power chords. The standout for me was the finale with a near 15 minute version of 'Everlasting Light' building slowly to a blizzard of guitar and percussion for the finale.
Hymn To The Immortal Wind seems like a more cinematic progression from 'You Are There' and of the 3 bands playing tonight Mono seem like the most classically influenced in their sound.
Not just a bandshow: we have been to post rock heaven.
Why do Hong Kong indie fans love post rock so much? Is it the emotion and the complexity?Does the music give us some kind of personal space in a frantic,overpopulated city devoted to technology?
Or are music fans and bands here just a lot more experimental and eclectic in their tastes than we realise?
Mono from Japan have achieved iconic status in the post rock genre and were appearing live in the city.
In support were Elf Fatima, local post rock heroes whom I first heard of when I asked a highly knowledgeable local band member 'Who's your favourite Hong Kong band?'.
'Elf Fatima' was his reply and ever since then I've tried to check out shows from this band who seem to be the band of choice for supporting Postrock monsters like Mogwai and Mono ..
First on the bill were Ghanzhou outfit Zhazhou (aka The Swamp). The band use traditional Chinese instruments as well as electric guitars, giving them a sound somewhere between Beijing bands Lonely China Day and The Gar with quqin player and guitarist at times going onto his knees to play in real rock hero style.Some beautifully structured songs synthesising traditional and modern.An awesome opening set from this band with lots of energy and brimming with musical ideas.The band have been around since 1993 so can clainm to have been at the forefront of China's experimental musical scene.
Setlist
1. Michelle the Cellist
2. Battle of Sunset
3. Walk away from the dark cave
4.I see the light before the planet explodes
Such a small venue is really perfect for the sound of Mono In the quiet parts, every note rings out crystal clear on songs like 'Ashes in the Snow'and for the climaxes we were almost deafened by the waves of feedback saturated power chords. The standout for me was the finale with a near 15 minute version of 'Everlasting Light' building slowly to a blizzard of guitar and percussion for the finale.
Hymn To The Immortal Wind seems like a more cinematic progression from 'You Are There' and of the 3 bands playing tonight Mono seem like the most classically influenced in their sound.
Not just a bandshow: we have been to post rock heaven.
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